tag:blogger.com,1999:blog-1383820403867604412024-02-21T05:14:51.865-08:00film|minutes2IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comBlogger67125tag:blogger.com,1999:blog-138382040386760441.post-36535468328457920402015-06-05T02:44:00.000-07:002015-06-08T06:36:51.286-07:00film|minutes2IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-49222985610825527502015-04-27T14:43:00.000-07:002015-04-27T14:44:05.449-07:00minute 27<div class="separator" style="clear: both; text-align: center;">
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<br />IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-96895895728587402015-04-27T14:04:00.000-07:002015-04-27T14:04:20.774-07:00minute 16<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Fears of minute 16<br /> </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">I am not the most creative person in the world. I am afraid and at the same time curious. What is the content I will be faced with by watching this minute? Will I be able to fulfill this quest or will I fail? How will the audience react to my writing? Do I really care what they think? I mean, I don’t even know them just like they don’t know me, and after this semester I probably won’t see them again. So why should I care? But still - I have to open up and share my thoughts and emotions I associate with this minute with the plenum. It feels like a striptease, just without a pole and some good music in the back. I just hate not to be in control and to be unsure if my performance will suit their expectations.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">We were told this is an experiment - maybe it works out or maybe not. Perhaps this sequence will touch me or perhaps it won’t. I am debating with myself if I should listen to the sound first or watch the minute without the sound or have it both at the same time. I decide to watch the minute without the music. What I can see is frightening and oppressive like a nightmare. Young girls, dressed neat in their Sunday best, walking slowly like soldiers in ranks and filing toward a building. I assume that the building is an orphanage because there is also a nun appearing in the picture. But why is she walking in the opposite direction with her face turned away from the children? Also the building looks more like an abandoned building or a ruin. In an instant I associate this scene with a walk to the death camp. With god’s blessing and the nun’s knowledge, the young girls are being sent to the block. Naïve and trustworthy seem their walk or are they just so frightened of what will happen behind the closed door?<br />All of a sudden there is darkness. An unexpected lonely folklore dancer appears. I still got the bad taste of the previous scene in my mouth, the negative thoughts and the fear. Was the dancer to appear on the scene to loosen up the feeling of oppression? His face is not shown. He dances on the spot, continuously turning and turning like he dances just to survive. It seems like he doesn’t have enough space to do that. Like he is trapped on that single spot or more likely like he is imprisoned in this role of a dancer – a puppet who is supposed to bring joy to other people.<br />The appearance of young boys with drums, who look like altar boys attending a procession, underpins my prior associations on the young girls and the lonely dancer. It feels like through bringing the altar boys into the picture that the previous scenes should be forgotten. But is that possible?<br />Maybe I can look at the scenes from a different point of view if I review the minute with the music. I am bitterly disappointed. It is even worse with the music in background. Straight out of a horror flick. The music underlines even more the desperation, the present fears of the actors and their entrapment in the scene collectively as well as solitary. I feel lost, to some extent drawn into this nightmare. I want to get away from this frightening and oppressing nightmare. I want be able to breathe again. I turn off the minute, my fear decomposes into nothingness and I turn toward the sun - but the bad taste stays.<br /><i> </i></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><i>Tami Fickinger</i></span></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-27432156675962293502015-04-27T03:12:00.000-07:002015-04-27T07:01:33.855-07:00minute 25<span style="font-family: Arial,Helvetica,sans-serif;">you can follow your tiny feet <br />down the path they lead you <br />run along <br />run along <br />run along <br />run along <br />only take with you who pays you off <br />chain them to your neck <br />run along <br />run along <br />run along <br />run along <br />where will you leave when you leave <br />can you catch up, when you‘re fumbeling <br />for a direction little man <br />but when you‘re gone you‘re gone <br />but when you‘re gone you‘re gone <br />but when you‘re gone you‘re gone </span><br />
<br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><i>Leonie Randolf</i> </span>IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-61221130126668269272015-04-27T03:05:00.000-07:002015-04-27T14:02:29.402-07:00minute 15<span style="font-family: Arial,Helvetica,sans-serif;">lined up, disposed, conducted <br /><br />chased, shaped, used <br /><br />from one show to the next <br /><br />I am being whipped into shape <br /><br />I am being cut into shape <br /><br />to be in good shape <br /><br />to fit into a card board cut out of my former self <br /><br />that used to be in bad shape <br /><br />pushed, fractured, distorted <br /><br />filling in for strangers <br /><br />playing my part <br /><br />portraying a second hand idea <br /><br />excruciatingly acting as a first class <br /><br />understudy of yesterdays expectations <br /><br />in plastic shackles <br /><br />blindfolded and tied <br /><br />presented in a platinum cage <br /><br />the dignified ass <br /><br />too oblivious to run <br /><br />too full to scream <br /><br />and most certainly too well adjusted to provoke discomposure <br /><br />lined up, disposed, conducted <br /><br /><i><br />Leonie Randolf</i></span>IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-34057075768555483992015-04-27T02:52:00.000-07:002015-04-27T02:52:47.037-07:00minute 03<!--[if gte mso 9]><xml>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Arial","sans-serif";">Birth</span></i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Some
reels are born</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Giant
spools</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Lower
them into amniotic fluid</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The
camera pans</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Much
like a loving father</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Across
the pitch-black incubator</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Its
blackness </span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">As
empty</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">As
the films it bathes</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Still
untouched</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">They
are but mirrors</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Reflecting
no light</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Butman’s
imagination</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Built
to preserve</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">To
alter reality</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">To
withstand time</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">To
mock death</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">And
to defy its permanence</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">To
overcome the transience of nature</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">These
reels are born</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Unanimated
matter</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Yet
creating life</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Over</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">And
over </span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Again</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />
<div class="MsoNormal">
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";"> </span><span lang="EN-US" style="font-family: "Arial","sans-serif";"></span><span lang="EN-US" style="font-family: "Arial","sans-serif";"> </span>
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<div class="MsoNormal" style="line-height: 150%; margin-right: 42.55pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Annotations to <i style="mso-bidi-font-style: normal;">Birth</i><span style="mso-tab-count: 1;"> </span></span></div>
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<div class="MsoNormal" style="line-height: 150%; margin-right: 42.55pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">In my poem on
the third minute of <i style="mso-bidi-font-style: normal;">Decasia, </i>I tried
to convey the mood of the picture with words. Although I am not sure if this is
how film reelsare industrially produced, the intro scene undeniably reminds of
birth, especially in terms of the anonymous hand reaching into the black fluid
to examine one of the reels. Upon watching the clip, I was under the strange
impression of attending childbirth through the eyes of someone, maybe the
father, who seeks to preserve this moment with a camera. Morrison’s choice to
begin <i style="mso-bidi-font-style: normal;">Decasia</i>, a film about the decay
of film, with the manufacturing of brand new reels is most certainly not
coincidental. </span></div>
<div class="MsoNormal" style="line-height: 150%; margin-right: 42.55pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The birth-like
situation, however, is only half of what this third minute invoked in me while
watching. Another very dominant feeling was indeed quite opposite to the joy
usually felt when around newborns. The monotonous coldness of the giant spools
at the very beginning are a somewhat loathsome sight and underline that this is
no organic matter being produced in the batch. Hence, I chose to point out that
the reels were „inanimate“. </span></div>
<div class="MsoNormal" style="line-height: 150%; margin-right: 42.55pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The first part
is concluded with the single line „But man’s imagination“, as I proceed to
further elaborate on the quality and ability of film to serve as a portal to an
alternate reality and to withstand time (at least for a certain period).
Paradoxically, the technically lifeless product’s main function is to <i style="mso-bidi-font-style: normal;">incite</i> life in its beholder: I assume
that motion pictures are particularly used to invoke feelings in the audience,
be it a narrative, documentary, or, like <i style="mso-bidi-font-style: normal;">Decasia,
</i>an experimental piece of artwork. Thus is its notion to affect the lives of
others and although ist content might be blurred, fuzzy, unrealistic, sketchy
or random, it becomes real the very instant it has taken an impact on the
viewer. In addition, it is a repetitive medium: the sequence of images can be
replayed at will.Hence, I finished with the (a bit cheesy) stanza: „Over/ And
Over/ Again“.</span></div>
<div class="MsoNormal" style="line-height: 150%; margin-right: 42.55pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">In fact, <i style="mso-bidi-font-style: normal;">Decasia </i>tries to mess with this very
condition: it emphasizes the decay of an initially preservative medium.
Ironically, this effort is conservative itself.</span></div>
<div class="MsoNormal">
<br /></div>
<br />
<i><span style="font-family: Arial,Helvetica,sans-serif;">Joseph Möller</span></i><br />
<div class="MsoNormal">
<br /></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-90568390583097067062015-04-23T09:10:00.000-07:002015-04-27T02:55:33.023-07:00minute 04<div style="text-align: justify;">
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<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">'The
cloud that fades away'</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">While
watching the film minute I developed two perspectives. The first one was my
first and spontaneous impression, the second one a 'second' impression that
connects with certain information regarding what we've learned so far in this
seminar.</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">For
one or two seconds it seems like someone was playing a record, then suddenly
something explodes and a big cloud rises that continues developing. Besides
there is a calm and dark melody played which sounds rather scary to me. To me
it is the sound of a 'process'. This melody of process reminds me of a
documentary, a documentary about a war. I imagine the cloud to be the cloud of
an explosion during a war, maybe from a bomb. The melody in the background
stays the same as the cloud develops for the rest of the film minute. My
association with something being processed does not go out of my head. Suddenly
it seems to be a cloud of a chemical reaction. Maybe someone prepares
something... to me it must be something bad, because of the pessimistic melody.
My different associations get mixed up and what I feel is the destruction of
the world. Land, life or something is dying, but still, in the end there
remains something. It could be the meaning that there remains always something,
there cannot be nothing, even if destruction happens.</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Regarding
what we have learned about films in this seminar I come to another conclusion,
but one that is similar to my first impression. The hand in the beginning is
not playing a record, but placing some film strips into a chemical solution.
Still, after that, there is an explosion or something that reacts. The film
must be breaking in this second and the consequence is something that looks
like a cloud of a bomb or a thunderstorm and it keeps changing its shape until
the minute is over. Maybe every film is a kind of surprise. Who knows what
might happen to the material of the film or what is projected on the screen.
That question can not be answered for sure. The cloud that fades away and
changes its shape can stand for the possibilities of development a film can
have and that a human being cannot forecast everything.</span><br />
<br />
<br />
<span lang="EN-US" style="font-family: "Arial","sans-serif";"><i>Lorena Benter</i> </span></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-21807875413319338102015-04-23T09:09:00.002-07:002015-04-27T02:56:34.294-07:00minute 05<!--[if gte mso 9]><xml>
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<br /></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">I lay down</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">You stand up</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">There is a window, we must escape</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">There is someone out there, we have to help</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Blood on mine </span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Hands too</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Arigato</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Explanation:</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">At first I tried to take
the pictures I could identify during the 1 minute, transform them into words
describing them best and align them so they would rhyme. After a while, I found
myself imagining my own pictures. I saw people, I saw the things they were
doing and how they talked witch each other. I heard them talk, and I listened.
Somehow, reading the poem now, I think of a Tarantino movie. I find it
hilarious that it turned out like to be some sort of short script, really
compressed of course. There was a glimpse as I wrote down the first few lines,
than it changed into something different, something really serious. They way I
finished it brought me back to my friend Quentin. I thought about Kill Bill, I
thought about Jules Winnfield, I actually also thought about a song from my
favorite band and even brought in a quote. Maybe you can identify it reading it
again, maybe you recognized it at first sight and you already know what I am
talking about. I liked this minute. It helped me create, and I am good at it I
think. I honestly think this is a good poem. It was written in twenty minutes,
which, from my point of view, makes it even better. But whatever, this whole
explanation is just the way I felt the whole thing. How do you feel about it?
Good Bye.<a href="https://www.blogger.com/null" name="_GoBack"></a></span></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-64160276508431256722015-04-23T09:09:00.001-07:002015-04-23T09:09:21.385-07:00minute 10<div style="text-align: justify;">
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Caravan
moving westward</span></div>
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<br /></div>
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and turned their good fortune over into the hands of God or Allah or whoever
else is watching. Before them lies the endless desert, behind them endless
destruction. They packed all that they could carry, food for the long trip,
water in every possible form, bottles, cans, fruit jars. And still it won’t be
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Either
way, their faith is futile. For this will be the end of all of us<a href="https://www.blogger.com/null" name="_GoBack"></a>.</span></div>
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<br /></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-738402525780315652015-04-23T09:09:00.000-07:002015-04-27T13:58:26.987-07:00minute 09<div style="text-align: justify;">
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<![endif]--><span lang="EN-US" style="font-family: "Arial","sans-serif";">Future in doubt</span></div>
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<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">The desert. It was a deadly
place to be in. It was probably the deadliest place to be in on the entire
planet. He had realized that by now. The cruel, unrelenting heat in the daytime
was wearing them out. The sun was burning down on them mercilessly. It felt as
if the skin was smoldering off their bones – or at least he felt like this. He
could not tell what his companions were thinking, for they were silent most of
the time. Did they not speak to save their energies? He would not have blamed
them. He did not know anything about surviving in a desert, and coming there
had been a really bad idea. But, as usual, curiosity had won against reason. </span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">This kind of ‘adventure’
was nothing new to him. Wearily he remembered that one time when he had taken
up a similarly stupid endeavor: climbing Mount Everest with the help of some
really experienced people. That had been thrilling, but not nearly thrilling
enough, so this time he had decided upon something far more extreme.
Eventually, however, it had turned out that going into the desert on his own
was not extreme, nothing to be proud of, and definitely an idea born out of
sheer stupidity. It was too late, however, to redeem his decision now, and so
he could do nothing but trust these people around him, who had literally picked
him up an indefinable time ago. </span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">These strangers. Who were
they anyway? What purpose had they? Had they picked him up for charity’s sake?
Was charity even something they knew? What was he to them? He was nobody, an
idiotic stranger having got lost in a desert whose name he could not even
recall now. He remembered the people he had called his friends telling him not
to go on this ‘crazy trip’, as they had called it. But where were they now, his
‘friends’? They were far away now, and so unreal, as if he was in another
universe altogether. There were no friends out here. There was no civilization,
or modern world. There was only the desert, and the struggle for survival which
he had unconsciously burdened on these people. </span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">How did <i style="mso-bidi-font-style: normal;">they</i> survive out there? How did <i style="mso-bidi-font-style: normal;">anything</i> survive, or come to life, in
this hostile place? As he took a look around, his eyes burning from being
strained to look into the distance, he only saw the heat glimmering above the
sand. </span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Oh how he missed the cold
of Mount Everest, that biting cold that had <span style="mso-bidi-font-weight: bold;">made</span> his face freeze! Back then, he had thought it the worst thing
to endure, but now there was nothing that seemed more desirable to him. Had
there been an ocean laid bare right in front of him, he would have drunk it
completely, so thirsty was he. </span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">He shook involuntarily as
his body seemed to remember that soon nighttime would come again, and then it
would get unbearably cold, especially in contrast to daytime. How could anyone
endure this?! How would he be able to endure this one more night? <span style="mso-bidi-font-weight: bold;">For</span> an endless period of time, he had
lost count of days and nights, <span style="mso-bidi-font-weight: bold;">he had
been wondering<b><span style="color: red;"> </span></b></span>if he would wake up
the next day. </span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Was this how he was going
to die? In a dire place like this, surrounded by strangers, either freezing to
death at night or drying out in the relentless desert heat in the daytime? His
plans had certainly been otherwise. Nature did not seem to care much about his
plans though. To the desert he was only yet another organism trying to survive.
It was useless to try and convince himself of something else. </span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">And what if, by some
miracle, he was going to survive? What if he could return to that other
universe which mankind called civilization? Was he going to learn from this
mistake? Take another path in life, settle down finally, or was he going to
challenge his luck again, like he had after returning from the Himalaya? Back
then he had been so sure that it had been enough, yet here he was in a desert,
about to die. Was he ever going to learn, or was this his fate? To go on
challenging nature in its various ways until it cut him down to size?</span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Was mankind, like him,
destined to go on challenging whatever there was to challenge? He hoped not. If
they did, they would, like him, realize that they had to stop their follies
when it was already too late. </span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">With his fainting
consciousness he clung to his thoughts on the future, while his eyes clung to
the horizon. Was that an oasis in the distance?</span></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Arial","sans-serif";">Claudia
Elsdörfer</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "Arial","sans-serif"; mso-ansi-language: DE;"></span></i></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-80655604938139880272015-04-23T09:08:00.002-07:002015-04-27T13:57:55.282-07:00minute 08<div style="text-align: justify;">
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Genesis</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Bright shapes appear more
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this film trying to insinuate us? The music which accompanies the film is not
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of our nature in the water, the water which represents the source of our life.
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of the cell bodies. </span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">In which century is this
happening? And what is the occasion of these mosaics? It appears to be deep in
the ocean where life begun and established in all fields and areas. The
swashing water can be recognized on the surface of the water. Life is
developing under the swashing water. Now the film is taking more shapes. What
kind of place is this exactly? Is this film really taken in the ground of the
ocean or is this simply a place where films are wound and rewound? Does
something like this even still exist today?</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";"><span style="mso-spacerun: yes;"> </span>Is it some kind of natural or even spiritual
power of the nature from where life comes into being? Is it a scientific
documentary film that captured a piece of history? Is it a history which shows
us how life began under water and comes out of it and scattered on the ground?</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Maybe this film wants to
show us an old history which seems to be forgotten by humans. Maybe it is a
story which should be remembered all the time because it is so fundamental for
the existence of humans and also because they tend to forget those little <a href="https://www.blogger.com/null" name="_GoBack"></a>things that embossed us.<span style="mso-spacerun: yes;">
</span>What is the deeper meaning of this film construction? </span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">I wonder if this film could
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reproduction? </span></div>
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themselves in the entire world. </span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">The most valuable and
unique thing that we humans do possess is our life that God once breathed into
us. This aspect of life can be combined with this film, which role it is to
keep the history of origins always in our mind.</span></div>
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<br /></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<i><span lang="EN-US" style="font-family: "Arial","sans-serif";">G. Adouvi</span></i></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-80826662805148930332015-04-23T09:08:00.001-07:002015-04-27T13:47:20.168-07:00minute 07<div style="text-align: justify;">
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">Sometimes I feel like the Count of Monte Christo or like
a prisoner at Alcatraz with no chance of escaping – caught on a lonely island
behind bars – just living a life of misery. Not that life hadn't been a misery
before, but now, just waiting in this cold uninviting room for the only one who
could free someone from here. There was only one way out – in a body bag. The
freezing temperatures, the salty cold air and the ice cold stone walls made
this place even less inviting.</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal; mso-hansi-font-family: "Times New Roman";">Watching the waves hitting the rocks, making a loud splash sound every
two seconds or so, was the only pleasure I had. But while it was the only
entertainment around here, it also could drive someone nuts. People around here
tend to see things no one else had seen before. Probably because they are only
waiting for death. Sometimes the wind is ice cold. It just feels like death
standing right behind you. Breathing in your neck and telling you: </span><span lang="EN-US" style="mso-ascii-font-family: Arial;">„</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal; mso-hansi-font-family: "Times New Roman";">You are next!</span><span lang="HI" style="font-family: SimSun; mso-ascii-font-family: Arial; mso-hansi-font-family: "Times New Roman";">“</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal; mso-hansi-font-family: "Times New Roman";">. Then you
turn around, expecting him to stand there. With his black cape, smiling and
pointing at you with long boney fingers. But of course no one is there and you
realize it would not be the worst thing that could happen. Secretly you had
hoped for him to be there, waiting to take you with him. Because life has
nothing to offer on this island. Here everyone is just waiting for death. I
think I have seen death a couple of times before </span><span lang="HI" style="font-family: SimSun; mso-ascii-font-family: Arial; mso-hansi-font-family: "Times New Roman";">–</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal; mso-hansi-font-family: "Times New Roman";"> but I
always escaped. Now I wish I hadn't because it would have spared me from this
place.</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal; mso-hansi-font-family: "Times New Roman";"><br />
I remember exactly how I felt when I was brought here. It must have been years
by now. I am not sure. At a place like this time just disappears, days become
weeks and weeks seem like years.<span style="mso-spacerun: yes;"> </span>With
big chains tying me down, I stepped from the boat and took the first breath of
this toxic air. I had heard people talking about the healthy sea air. Like the
women, they were planning a health retreat to the sea, just 5 minutes before
they were killed. I didn't want it to happen </span><span lang="EN-US" style="mso-ascii-font-family: Arial;">–</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal; mso-hansi-font-family: "Times New Roman";"> they just should have shut up, given me their money and everything
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal; mso-hansi-font-family: "Times New Roman";">Well, but I knew with the first breath: This air was toxic. The smell
of freedom mixed with the certainty of death. Walking up the stairs to my cell
I felt the cold stone for the first time. I remembered the cold night in
January, years ago. It was freezing and I had just wanted a warm place to spent
the night. I followed some girl home. Later I learned that her name had been
Kelly. She could have just invited me in, when I asked her to. But she didn't </span><span lang="EN-US" style="mso-ascii-font-family: Arial;">–</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal; mso-hansi-font-family: "Times New Roman";"> So what choice did I have? First she screamed
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal;">Sometimes you can hear the
seagulls scream. I think they can feel that this is a place of death and are
afraid of it. You can hear them but they never come close enough to be seen.
The only time I saw seagulls was at the beach. It was with a friend of mine.
Not really a friend, someone like me doesn't have friends. Just people I know
and who I tend to treat kindly. She had no idea what was going on, when
suddenly a couple of cops were standing in front of us, demanding to come with
them. She had no idea what I had done just a couple of months before. But I
managed to escape, sadly she didn't. But that's her fault. She wanted to talk
to them, tell them that they must have had the wrong person and that I had
never killed someone. Silly girl. I used the time to get away.</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal; mso-hansi-font-family: "Times New Roman";">When they noticed that I had turned and started to run away, things got
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heaven, or maybe hell. I don't know where people like me are going. But I am
sure she is waiting for me and that she has forgiven me for what I have done to
her.</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">The waves are still rolling. It sounds like a highway. I
have been on the highway just a few times. It is actually a funny story. I was
still hiding from the police. At some point I had figured out that skipping
town every couple of weeks was lowering the risk of getting caught. Of course
with my appearance I tend to frighten people. So I decided that it was just
easier to hide in peoples cars, traveling with them unnoticed. I didn't care
where I was going so I chose the cars randomly. On the, sometimes, long drives
I liked to go through peoples stuff and guess who they where. I was really good
at this game. But this last time I had chosen a red Toyota, parked at a gas
station somewhere in Texas. I had just climbed in the trunk and started to go
through the green backpack, when I noticed a name badge. It read „Officer
Shannon Pratt</span><span lang="HI" style="font-family: SimSun; mso-ascii-font-family: Arial; mso-bidi-font-family: Arial; mso-hansi-font-family: Arial;">“</span><span lang="EN-US" style="font-family: "Arial","sans-serif";">- What meant: I had chosen
a police officer’s car. I started looking through my bag and finally found what
I was looking for. I held the gun really tight. After a short drive I heard the
car stop and heard someone coming closer to the trunk. </span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-bidi-font-family: Mangal;">I had no choice but to pull
the trigger. Later in court they told me the name badge had been a birthday
present. Some friends of Shannon had given her the badge for her 16<sup>th</sup>
birthday. How could I have known? It wasn’t really my fault, was it? And so I
was charged with several cases and brought here, to this cold and unfriendly
island just waiting for death. </span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">I think I can finally see him now, standing on the rocks
waiting for me, telling me to come with him!</span></div>
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<br />
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Arial","sans-serif";">Mona Adler</span></i></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-50675406676602407472015-04-23T09:08:00.000-07:002015-04-27T13:47:11.084-07:00minute 06<div style="text-align: justify;">
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">Merchant Royal</span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">The sea is a merciless beast. So many ships have sunk
in horrible storms. So many brave and good men have already died fighting
against this powerful force of nature. And the sea? The sea doesn’t give a
damn. Its waves keep pounding relentlessly against the shore and the tide keeps
rolling in twice a day no matter how many battles we fight against this
superior enemy. The sea existed long before we were born and it will exist long
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<br /></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">I’ve
been working as a cook aboard the “Merchant Royal” for about 3 years now. The “Royal”,
as we call her, is an English merchant ship</span><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;"> that has
spent the last three years trading with Spanish colonies in the West Indies</span><span lang="EN-US" style="font-family: "Arial","sans-serif";">. Now we are on our way
back to England and the “Royal” is loaded with</span><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;"> more than
half million Spanish silver pesos, 500 bars of gold and ingots of silver, and
hundreds of pieces of jewellery. However, all this gold and silver is
completely worthless when you are on a ship in the middle of an ocean and all
the fresh water you have left in the tanks and all the food has gone bad. Oh
God, how I miss England! This will be my last journey aboard a ship. When I
come back to England, I’m going to open my own restaurant and settle down
somewhere. I’m so sick of this life as a sailor. When was the last time I set
foot on English ground? I can’t remember. I have the feeling that it’s been
hundreds of years since my last visit. I can’t remember to have set foot on any
ground in the last few years. It’s almost as if I’ve lost my sense of time.
What day is today? Friday? Monday? Or what month? It must be August or
September! I can’t even remember the year. We left England in 1637, so we must
have 1640 by now. It feels as if hundreds of years have gone by.</span></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">Every single day I sit in the galley and do nothing.
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<br /></div>
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">I can’t remember the last time I left the galley. I
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a vivid dream? I look through the little round window again. A few men are
scrubbing the deck. Others are setting sails. They appear to me like lifeless
shells, doing their work apathetically. Almost like zombies making the same
moves over and over again just by force of habit. From time to time, I can hear
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">Setting sails is completely pointless anyway. There
hasn’t been the slightest breath of wind in weeks. This damn dense fog sticks
to us as a fly sticks to a cowpat. You can hardly tell if it’s day or night.
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<span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;">“I wanna go home and see my girl. I really love her.
She’s so pretty”, I hear Henry say. Henry is the only one I talk to. He is with
me in the galley all the time. Henry has been my cook’s mate for the entire
journey helping me cooking and keeping the galley clean. He is a handsome young
man and has become a good friend to me. “When do we come back to England?” he
asks. “I wanna go home, I’m so tired and I miss my girl. I really love her.
She’s so pretty!” “Soon”, I say. “Have a little patience!” I have the feeling
that I have said these words a hundred times to him not really believing that
we will ever arrive anywhere. “When I come home, we’re gonna get married and
have loads of children!” Poor Henry, the hope to see his girlfriend again is
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">I
can see lights from a distance. They seem to come closer. Is it another ship?
Oh God, I haven’t seen any other ships for ages. She must be huge. As she comes
closer, I can see four giant funnels puffing out plenty of tight black smoke.
How can this ship move without having any masts or sails? It’s almost as if
ghosts are pushing her relentlessly forward. I realize that she is not made of
wood, either. It rather seems to be some sort of metal, she consists of. And
these beautiful bright lights aboard the ship! You can hardly see your very own
hands in the light of the old oil lamps we use aboard the “Royal”. As the ship
passes by, I can hear music and people talking and laughing. “They must be
having a great wild party over there”, Henry says. I look up and try to spot
the people that are making such a racket, but I can’t see anybody. However,
what I do see now is the name of the ship, written in big shiny letters. It
says: TITANIC</span><span lang="EN-GB" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-GB;"></span></div>
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<br />
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Arial","sans-serif";">Christiane Helfenbein</span></i></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-25151551051750646032015-04-23T09:06:00.000-07:002015-04-23T09:06:43.297-07:00minute 11<!--[if gte mso 9]><xml>
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<![endif]--><span lang="EN-US" style="font-family: "Arial","sans-serif";">All
alone. Here I am.</span><br />
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">This
is the path. The endless path.</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">This
is life. The endless life.</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">It
leaves you alone. Deserted. </span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">It
takes away.<span style="mso-spacerun: yes;"> </span>The one you love. </span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Darkness.
Sadness. </span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Faces.
<span style="mso-spacerun: yes;"> </span>All gone.</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Everyone
stops. </span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">I
continue. </span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">What
good amid these?</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">O me. O life.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Arial","sans-serif";">Yasmin Sarwar </span></i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">Answer.</span></div>
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<span lang="EN-US" style="font-family: "Arial","sans-serif";">That
you are here—that life exists and identity,</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">That
the powerful play goes on, and you may contribute a verse.</span></div>
<div class="MsoNormal" style="margin-left: 70.8pt; text-indent: 35.4pt;">
<span lang="EN-US" style="font-family: "Arial","sans-serif";">-Walt Whitman ( Leaves of
Grass 1892: O Me! O Life!)</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: 150%; text-align: justify;">
<br /></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-877767237160828352015-04-23T09:05:00.000-07:002015-04-27T13:38:47.392-07:00minute 12<div style="text-align: justify;">
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<span style="font-family: Arial,Helvetica,sans-serif;">Close your eyes, please! Just close them and listen to the music!<br /> </span><br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">The
reason why I made you first listen to the music and then watch the
movie was because when I first watched I could not see anything. I was
totally hypnotized by the music, I was actually panicked. It sounded so
scary to me that it made my flesh feel creepy. I could not even move for
a second or two. It was like I was paralyzed, and if I would have moved
something terrible would have happened. It reminded me of a siren, of
an alert sound that is normally used when danger is coming during a war.
<br /> </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">When
I recovered I realized I have to watch the excerpt without sound if I
want to concentrate on the pictures. That is exactly what I did. The
first thing I could identify was the bow of a ship. After staring at it
for a longer period of time, I figured out it looks more like a
submarine, and not just a simple one but a military submarine. These two
ropes were bothering me though; they looked strange, somehow different.
A short search on the internet showed that it must be a German U- Boat
(U-Boot abbreviated from the German word “Unterseeboot”) because of the
two ropes on the sides. They were especially used in World War I and
World War II. So the movie must be about a war, I said to myself.<br /> </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Then,
total destruction followed, black, and white, black, white… Strange
figures like finger prints on a movie tape showed up and faded away. It
looked like somebody had damaged parts of the tape. Then I saw the
people standing in front of something like a temple. Or at least the
rest of it, the ruins of a temple. It reminded me of the Roman Empire or
even more of ancient Greece. I could see the big massive columns and
the backs of people standing in front of them. It seemed to me they were
even wearing ancient Greek costumes.<br /> </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">I
became more curious. In order to find out more about the building
itself, I started another online search. What I found this time, made me
think the columns were in Roman Doric Style. In fact, they reminded me
of an old temple in Athens. Hey, it might be the famous Parthenon! I
have read somewhere that during World War II the Germans occupied
Athens. <br /> </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Hmm,
so what do we have here? World War II, German U-Boat, occupation of
Athens... It started to make sense. It just got so exciting and these
finger prints started over again! Black and white, black and white …<br /> </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">The
mysterious temple showed up again though. This time from another
corner, somehow nearer and there was only one person in front of it.
Maybe a tourist on sightseeing tour, years after the end of the war, or
maybe an archaeologist, or a historian… or maybe none of them at all… <br /> </span></div>
<span style="font-family: Arial,Helvetica,sans-serif;">Thank you for your attention!<br /><br /><i></i></span><div class="separator" style="clear: both; text-align: center;">
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<br /><span style="font-family: Arial,Helvetica,sans-serif;"><br /><i>Bogdana Andonova</i></span></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-10582634615802479022015-04-23T09:03:00.000-07:002015-04-27T13:59:46.174-07:00minute 13<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">St. Paul’s Cathedral<br /><br />Unspeakable things had happened at St Paul’s abbey; of this Mr. Thompson was sure. Being one of the leading scholars in the field “Christian monasteries of the Late Middle Ages”, he had studied a great many of these sanctuaries and had stumbled upon innumerable horrifying accounts of ancient clergymen and historians alike. Witch-burning, sacrificing virgins and the collective raping of nuns and children by church dignitaries were only the most obviously disturbing misdeeds Thompson had encountered over the years. Many of them were common knowledge or folklore, stories that had been passed on from generation to generation and were almost exclusively told to scare the living daylights out of the various audiences. Hence, many tales had been garbled by unrestrained exaggeration and were of little scientific value. Yet, Mr. Thompson had spared no effort and had relentlessly – some would say in an obsessive manner – ploughed through any piece of literature he could find on the topic, always in search of the most terrifying story.<br />Over the last four years, however, he felt that he might have discovered many loose threads which, if he followed them carefully, would finally lead him to the one tale of maximum terror he was so desperately searching for. He had found these hints merely by accident: the many stories he had read in these busy years of research came from the most distinct parts of Europe and were exclusively written by different authors who – Thompson knew – had no chance of knowing each other. Still, strange parallels could be found in their tellings. All these stories held a certain abbey in Northern Ireland responsible for the evil that happened in the respective narratives, a godforsaken place that had been abandoned for many decades. The respective texts always referred to the abbey as a “portal to hell” or “the gate to the Old Ones”. They told of terrifying symbols and of words engraved on the walls of the abbey, signs so gruesome to behold it made the strongest men go insane. It was suggested that they were engraved in the course of several occultist rituals that had occurred in the abbey, rituals that were deemed to be performed in order to spawn hell upon earth. All the stories had another thing in common: each concluded with a warning never ever to pay St. Paul a visit. Mr. Thompson was excited of all this. The horrific mood of these tales was indeed promising and he lost no time organizing his trip to St Paul’s. </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">The ancient reports had not lied, for the first oddity Mr. Thompson noticed as he approached the abbey were strange characters that had been engraved in the wooden gate. The most prominent aggregation of words formed a sentence: In his house at R’lyeh dead Cthulhu waits dreaming.<br />Sadly, the abbey had not been taken care of: it was in an absolutely bleak condition. Moreover, there was something uncanny about the place. With an uneasy feeling that began to nestle in his stomach, Mr. Thompson pushed open the rusty gates and entered St. Paul’s abbey. <br />The courtyard was even more derelict than the abbey’s front. Dark, reddish spots on the formerly white arcaded sidewalks indicated that this abbey had recently been the stage for occult rituals, as did the various wooden structures that were arranged around an old well. Thompson had seen many structures of their kind; they were instruments of torture. Uneasily, Thompson observed the yard. Somehow, the well was horrifying. Its black stones were almost completely covered in moss and upon closer examination, Mr. Thompson discovered a slimy, ominous substance on the well’s inner surface. His uneasy feeling had transformed into a state of constant awareness. A disgusting smell seemed to emanate from the pitch-black bottom of the well.<br />He was disrupted in his study of the well as something moved behind him. Quickly, he turned around and saw, much to his surprise, two nuns approaching him. Their footsteps were synchronous and their hands were hidden in their tunics. A sign had been sewn on their garments: it showed the pictogram of an eye in the center of a star. Thompson’s initial relief caused by the appearance of fellow human beings in this godforsaken abbey turned into pure terror when he saw that both nuns’ eyes had been removed. <br />They stopped, and spoke to him: “Greetings, sceptic. You have travelled far to satisfy thy thirst for knowledge and thou shall be rewarded. Cthulhu, the Great One, will rise and feast upon thee. Thou will succumb to madness, yet thou will be living by his side at R’yleh. Alas, Great Cthulhu, wake up for we have brought you sacrifice!”<br />The sky turned dark with thunderclouds and a glistening light illuminated the abbey. Thompson desperately tried to shut his eyes but they were forced open by an invisible hand each time he closed them. He held his hands before his eyes and through his finger he could see a giant figure manifesting itself in the yard; a creature with a thousand tentacles attached to his gruesome face, dead eyes and an enormous body. <br />It was then that he understood His cosmic plan. The Great Cthulhu had once again spawned from his native City of R’yleh, to force his evil upon this land, to subject the low creatures of Earth to His will. Images rushed before his inner eye; pictures of ultimate evil, of pain beyond anything earthly, of the destruction of biblical cities and of the end of time itself. He was Alpha and Omega. <br />Mr. Thompson came to St. Paul’s abbey discover the most terrifying story in history when it was yet to be written. Now that he had acquired a place in the front row, he hoped that he would be able to write it down when the Great Cthulhu had shown him His world. But for now, his mind was flooded with insanity.<br /><br /><br /><i>Joseph Möller</i></span></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-80596962382867206972015-04-23T09:01:00.000-07:002015-04-27T14:00:07.502-07:00minute 14<span style="font-family: Arial,Helvetica,sans-serif;">Does fear need reality to hurt one?</span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><br />I had never been religious. Not that I had a special feeling about it. I just wasn't. So a religious surrounding never made me feel comfortable, but it didn't scare me either. I feel different about nuns. Somehow they make me feel uncomfortable. Those women in their huge black robes being serious all the time, following a faith I would never understand, have made me shiver since I was a little child visiting the Vatican and meeting a nun for the first time.<br />But it is not only my special feeling about nuns which makes it difficult to watch the scene over and over again. It is the sound. I wouldn't call it music, it is more of a metallic shrieking. To me it sounds painful. I have to reduce the volume. And this sound scares me, too. I feel like I need to run away from it, as if it was warning me of something even more terrible. 'Anyway', I say to myself, 'it is only a film. Even a dying film. It is not real. It cannot hurt you.' So I remain in front of the screen, watching.<br />Most of the screen went black when the sounds made me nervous. Now I am curious what is going to follow. Something terrible will happen, I can imagine. Hundreds of ideas come into my mind. First thing I see: nuns. And as I said, they do not comfort me particularly, but I expected worse to come. There is a Mediterranean yard with a tree; maybe olive or orange. In the middle of the picture is an archway. Children are walking through it, taller and smaller ones. Nothing to be scared of at the first sight.<br />The children are coming closer. Slowly, nearly unnoticeable. I cannot see their faces, as they are covered in the shades. Black spots are on the screen. I know that this is caused by the material fading away, but it looks like fingers - my own fingers, trying to cover my eyes. The metal is shrieking again and even louder. I really feel that I need to get away. There is something coming, I don't want to see it.<br />I'm looking at it anyway. 'Don't be silly, it's just the film. Your fingers are on the keyboard, not on your eyes. In the original film it was a pleasant scene, so calm down.' – my inner self is highly rational about this sequence of rotting celluloid. I concentrate on the children again. They are walking in pairs, holding hands. The biggest child is leading them, alone. All of them wear the same white shirt. I guess they are all girls. Pretty looking and small. Nothing to worry about.<br />Then I notice it: they don't have a face! Just as if someone estranged them a long time ago, not with those small black bars but by cutting out the whole face. My heart is beating faster. I want to know who those children are and why they have no faces anymore. There must be a reason for them wearing the same clothes and walking slowly, not a bit playfully as you would expect from children that age, down the path with the nuns watching them – maybe even guarding them.<br />A picture of an old children's home comes into my mind. Years ago those homes were frequently lead by nuns who educated the children strictly according to the rules of the church. That would explain the behavior of the children and the nuns around them. I'm not much of a fan of those institutions, but they were common some twenty years ago. 'The children were treated roughly but it's nothing I need to be scared of. Just ignore the metal's shrieking and the black bars.'<br />I would like to believe in this explanation. The film could have been shot as a memory of a disciplinary institution where the children have to behave the way the nuns like them to. 'But why should they estrange good children? It wasn't much about their personal rights back then.’ I ask myself. As I said, my inner self is highly rational, so I'm backing up. 'That's just the material rotting. The faces have gone, because of the material. We know that. I mean: I know that and I'm in your head.' <br />There isn't much to say against that. It sounds perfectly reasonable. But all of sudden my inner scientist interferes: 'How likely is that? About twenty children and all the faces gone? Not that likely...' This position sounds reasonable as well. I don't believe in the fading-away theory. The faces had been estranged, cut out, ripped off. My inner self doesn't want me to calm down anymore. It seems like she gave up on the other two of us. My heart is still beating fast.<br />Victims are estranged. I'm thinking of fascist regimes. There were films in the 30s. The blood is rushing in my ears. Those children are dead. 'If the film is that old, it is likely for them to be.’ My inner self is mad at my outer self and is trying to be sarcastic. I'm not laughing. If something had happened to them, one could never find out now. The faces are gone, the name of the place isn't shown and nuns look the same all over the world.<br />I feel pity for the children. It's even more. Some sort of pain or sadness. 'You don't know anything for sure!’ my inner self yells. 'So try to find out more. Watch it again!' My inner scientist is highly awake now. I'm shaking my head. I don't want to because I'm scared. 'Hush. It is just a film, nothing real. You know what digital films are. Ones and zeros. Just numbers. Calm down. Nothing can hurt you.’ my inner voices join in to comfort me. I'm shaking my head again. No, it is nothing real, just me having ideas. But does my fear need reality to hurt me? Well, to be honest: I can only answer reasonably when the film is turned off.<br /><br /><br /><i>Annalina Böcher</i></span></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-78195711502890558812015-04-22T14:18:00.000-07:002015-04-22T14:18:23.816-07:00minute 17Number 17. Watching number 17 I find myself in a conflict with my mind. I am supposed to let go, openly allow the minute to have an impact on the same. Instead I feel my mind rationally working against this take-over, working against the effect of getting lost in the film's irrationality.<br /><div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">I am mind-driven. Almost cramped. It tries to find organization in this piece. It, my mind. Some kind of structure. Some kind of deeper sense. Where is the connection? It begins questioning me: where is the metaphor, the symbolism? My mind is looking for a deeper meaning, a meaning that exceeds the pure fact of decay. We can not accept its apparent randomness. <br />Frankly, threatening, almost painful violins scratching accompany three scenes, one after another. The music is as disturbing as the images to be seen. It lacks any harmony, was not made to please ones hearing in any way. It is dramatic, reminding of sirenes, at the same time dangerous, again threatening. I almost feel the instruments hurting. <br /> </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Only silhouettes can be seen. A group of men dancing a folk dance. They are played on slow motion, moving back and forth in a line, drums in some of their hands. My mind hits in. It calms my beating pulse down. I find myself rationally researching their outfits, typing in: dancing skirts vests high knees drums line. <br />Yes, they dance in a line. It is almost relieving as I find some structure, some intention, some purpose. An image pops up. That could be them. A group of greek dancers. Comfort arises. Could I solve their mystery? Greek folk dancers. Naming them brings my mind so much closer to some kind of categorization.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">The next scene, there are three geishas sitting next to each other. One can only be seen a fraction of a second until she disappears in the haze of destruction. The other two play the shamisen. After a cut only one geisha is left in the image. She appears sad, looking down, turning away from something that again can not be seen. </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">I named them geishas, drawing this conclusion after seeing some Asian women in kimonos with the typical make up. I found an identification, gave them a tag, my mind is pleased to have recognized a category to put upon them. But what can I truly say? In fact there are three or maybe even more women looking like geishas. They are ripped out of any context and again my mind, mechanically searching for organization, is left to assume. </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">The image clears up in an absurd way. It becomes almost calm, no hectic movements of decayed film strips dominating the scene, no scratches, no blemishes, no bubbles, no shapes appearing like flowers. There is no dramatic or romantic interpretation to this. I can see the full screen, though wrapped in fog. A man pulls another out of water, drags him to the bank. This waterside seems to lead into a wood and awaiting darkness. I can see trees surrounding the screen. The men's interaction is an act of strength and a fight in itself. The man to be rescued seems to be heavy, an almost lifeless body, his limbs bouncing with the movements of the other dragging him, working against his weight. <br /><br />It is a devastating scene. The first one which brings emotions to my mind. We, my mind and I, see a soldier holding on to his companion. Again, it is an assumption, an interpretation my mind needs in order to find comfort in the derangement of decontextualization. <br /><br />During all of this I try to look behind the plain decay of the film material. It is no destruction, not made by men. It is the simple effect of time working on a piece of material, a film strip. No intention behind it, at least not at the time of decay. The intention given to it simply derives from a film maker putting together apparently random pieces of film trying to teach my mind a lesson. The lesson of letting go of all rules and systems I've put upon a piece of film so far. This decomposition objects my inner need for solution. I want to know the story behind each scene. Blending out the scratches, the blemishes, the bubbles, the flower like shapes, trying to see as much as possible, I fail to recognize the new unity of it. After all I fail to let go. My mind can't let go of the ideal of completeness, of intactness. <br /><br /><br /><i>Marthe-Sopie Berkenheide</i></span></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-6980157724863864782015-04-22T14:15:00.000-07:002015-04-22T14:15:49.481-07:00minute 18<span style="font-family: Arial,Helvetica,sans-serif;">Rolling out of the sticky flow of eternity <br />A tangle of flesh and sweat and tears<br />Burned in your own acid<br />Digested in the stomach of illusion<br />Contorted bodies striving <br />To escape the transparent skin-barrier<br />And mingle in fear and feces</span><br />
<span style="font-family: Arial,Helvetica,sans-serif;">Help. Help. Help!<br /><br />To not be alone<br />The weaver<br />Will weave<br /><br /><br /><i>Martina Tambalo</i></span>IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-84655620217800211862015-04-22T14:14:00.000-07:002015-04-22T14:14:25.117-07:00minute 19<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Wow, here it is again. The spinning movement which we have seen in almost every other minute. And I still don‘t get it. Why is everything and almost everybody moving in circles in this movie? A man is sitting on the floor, watching the wheel spinning around, around, around... and around. I would get pretty bored if I was him, I guess. Well, he doesn‘t look really excited either. What is he holding in his right hand? I‘m not really sure but it looks like a knife. To be honest, the background music annoys me. <br /> </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Hmm, looking at the guy, spinning this wheel, it kind of reminds me of the fairy tale „Sleeping Beauty“ by the Grimm Brothers. Now, of course its not really the same but maybe in this kind of movie the guy will not prick his finger on the spindle but on the knife he is holding in his hand? No way. These thoughts are crazy. I need to focus much more on the movie itself and its actions and find the thematic logic of this movie. Well of course, I know it‘s a textile factory, thats what we‘ve found out so far... and there is this guy who is pitching a tale. Well, maybe this is an Indian guy working on a carpet? This just reminds me of my brother who came up to me a couple of days ago and wanted me to sew a button on his shirt... the guy in this movie could probably do it without any help. So, what‘s going to happen next? The guy is still turning this wheel around... and why is he dressed like that? He seems to be so into spinning this machine- he‘s not even looking up... just staring at this wheel. Maybe the wheel is hypnotizing him? And now the sound is irritating me again. In my opinion, this music doesn‘t fit to the movie and its actions at all. It sounds like an old train is about to reach the trainstation and the breaks are pulled as much as possible in order to stop the train as soon as it has reached the right position. Now, I can hardly see two other people working like machines. There is no kind of conversation or other signs of talking. They are just concentrating on their work... and there is a spinning wheel again. Yes! Haven‘t seen one of those in so long - HA-HA. But now I totally get it and my thoughts were not so far away from reality. It is a carpet factory. The men and women working there are working on carpets. Now all of this spinning stuff makes sense to me. Carpet weaving can be so exciting...<br /><br /><br /><i>Anabel Pohlmann </i><br /><br /></span></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-51825919284012249852015-04-22T14:13:00.000-07:002015-04-22T14:13:08.178-07:00minute 20<span style="font-family: Arial,Helvetica,sans-serif;">All I could think about at first about minute 20 was the difference and the separation between men and women. The women do another type of work than men. Everything is separated. Emotions I could not find, except a brief smile from a middle-aged woman in the middle of the room, surrounded by other women.Carpets on the wall, nothing on the floor. A world that we do not experience anymore and will probably never experience. An upside-down world. A world in which we cannot live anymore because we are used to different standards. The east European traditions came into my mind that have nothing to do with the music that is played. Work work work. They seem as if they are working mechanically, fast, meaning they have routine in their activity. It seems almost propagandistic. The book “A brave new World” by Aldous Huxley popped into my mind, then “1984” by George Orwell. “Big Brother is watching you”:</span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">“WAR IS PEACE</span><br /><span style="font-family: Arial,Helvetica,sans-serif;"> FREEDOM IS SLAVERY</span><br /><span style="font-family: Arial,Helvetica,sans-serif;"> IGNORANCE IS STRENGTH."</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><br />The human beings are replaceable, they are anonymous. The production is clearly defined, such as every activity the workers do. They probably do not even know what the end result is going to look like and probably will never know. They could produce spare parts for a washing machine or parts for the atomic bomb. They become the same with whatever they produce. <br /><br />Everyone has the same uniform, the same look, the same thing over their heads or the same hair cut, the industrialization has taken the diversity away, though diversity is the only thing we have in common. Everyone has his or her role in the society and the mass production is the most important thing. They are working for others. What do these people do when they go home? Do their houses also look the same? The anonymity is outrageous. I am very glad to be born in this era. Manufacture vs. factory work vs. Industrial Revolution. The wheels are rotating, both times by the hands of the men or women, a perfect metaphor that life needs our actions in order to have a path. We are the ones who are rotating the wheel…or is it someone else? And the most important thing: Do we have a say in it?<br /><br /><br /><i>Laura Chiriac</i><br /><br /></span></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-64057086102902214972015-04-22T14:11:00.000-07:002015-04-22T14:11:24.901-07:00minute 21<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">How our senses interfere with our feelings and vice versa <br /><br />Optical illusions and visual tricks are well known elements of magic. They do fascinate us and we are attracted to them – we want to understand them, want to know where or what the loophole is.<br />Our eyes play an important role in our lives. We want to believe what we see and we see what we believe. We want to trust our eyes and we start to panic as soon as we cannot. We basically go mad, if we cannot see what is going on. <br />But our vision is not the only sense we have – hearing is another one. What we hear has a huge influence on our feelings, too. It does not even have to be a certain string of sounds (e.g. words, phrases, tones, melodies); our feelings are also influenced by noises. These noises can be loud or quiet. We must not even think about them, they still influence our feelings unconsciously. <br />On the other hand we can listen to the music consciously and let us been carried away by nice melodies, rhythms and lyrics. Conclusively, stating the obvious: Our senses influence our feelings and our feelings influence our senses, too. They do interfere.<br />In the 21st minute of Bill Morrison’s “Decasia” distorted, blurred, black and white pictures and heavy, orchestral music can be perceived. When I watched the 21st minute for the first time I had the feeling of everything turning; around and around. The music added to that by giving me the feeling of everything and everyone being in horror and panic and that it will never stop turning until it dies.<br />A couple of days later I was only able to recall the feeling of confusion, chaos and disorder. I could not even recall a single frame or picture of the movie. Then I watched it again and paused every now and then to have a closer look at the scenes. I noticed details I had not seen before and thought about what they might mean, what information they obtain. <br />I watched it again and I came to realize that I fell for several visual illusions. What I thought was turning, did probably not turn at all – or was it? The indistinct crowd of people in the third and last scene turned out to be separable into guests of a fair, workers at a flying swing and those who were riding the flying swing. <br /><br />As soon as I saw all that more clearly, noticed more details, I was not afraid of it, of the film, of the task anymore. Then the point would have come to analyze the scenes, compare music and film, consider details and analyze the effects of the blurred and distorted film material. But I was too surprised that all those details where in there, and that the material was not that indefinable after all that I decided to focus on optical illusions and their effects on our perception and feelings.<br />If one does not have the chance to watch the scenes over and over again, one will not ever see it as clearly as I do now. One would be left with the feeling of distortion and chaos, fed by the awkward sounds of something like a train, blaring, before it crushes right into something and leading to misfortune. As long as you do not see clearly what is happening, as long as your eyes cannot hold on to an anchor, to a fixed point, you have the feeling of being powerless, helpless, defenseless, since you do not know what you have to be afraid of; if you have to be afraid after all. At this point my senses have influenced my feelings.<br />Now that we know the name of the film, “Decasia”, and that it is about decease, maybe decease of films, of memories, we assemble these feelings with that knowledge to a big picture. My personal big picture contains a lot of social critique. The fun, families have on fairs, being equal to social wealth, is endangered by a blaring train, being equal to a misfortune, if society does not preserve it. In this minute it seems that it is already too late, or even if it is not yet, I would not know what to do or how to react. I would be powerless – and that is exactly how I felt after I watched those scenes for the first time. I felt irritated and powerless. Ergo, my feelings have influenced my perception, my senses.<br />Altogether, this description is as blurred as the pictures; it is led by emotions, not based on facts. Nothing I would consider a proper analysis. Nevertheless, I think that this was the producer’s intention; to create a certain feeling, not necessarily conveying the meaning of the scenes themselves. What contributes to this point of view is that after I decoded a couple of the frames, they made less sense than before. Having solved the visual tricks, the pictures are clear to me, I can call up on certain scenes and pictures – my senses are clear and so are my feelings. Everything is set straight; I am not irritated by this “minute” anymore. <br /><br />Conclusion<br />Take a closer look at things you are afraid of, try to understand what it really is, eliminate illusions, analyze it and you have a good chance to actually overcome your fears.<br /><br /><br /><i>Ann-Kristin Angermüller</i></span></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-6196770067950524372015-04-22T14:09:00.000-07:002015-04-22T14:09:19.424-07:00minute 22<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Wow, I had never imagined my life ending so fast. Lying here on the bed, watching my life pass by. It was only yesterday when I thought about how happy I am- or was? But now? How could I be so stupid, just get into a car and drive away! Wait, why stupid? We were happy!Off for a road trip! Now I am lying here. Here, on the hospital bed. My head is aching. There is a loud pounding and some shrieking. I have thought about how it is to die very often. Is it like a train rushing by? Watching my own life passing by? There it is again that sound…the train passing by. We thought we would make it over the tracks. Doesn’t everybody describe dying as looking through a tunnel and at the end there is a light? Well, I guess not. It is a carousel. My parents and Iare making it turn. My parents were the ones who started it, this circle of life. Just like in the Lion King. Hakunamatata, or is it not? My parents starting and pushing this circle of life- my circle of life- my carousel. We three in the middle- the three musketeers.The little wagons on the carousel are the different stages in life- in my life. Oh look, it’s me on my first day of school. And there’s me and my best friend Romeo- Romeo and Julia. Wow, me starting to walk- my first steps- it was such a long time ago. The time is passing, no running by. That train! What is it doing in my mind again? I hear it coming closer but I knew we would make it over the tracks…The carousel with my life- why a carousel? Can’t it be something else? There, in the background! The church I got baptized in and the barn house we always went to in summer vacation- my parents and me! The three musketeers! Yesterday, oh yesterday- all my troubles seemed so far away! We were so happy! In love! Love is what keeps us alive- I thought! Well it really is what kills us- at least in my case. Yes we were very happy yesterday. He had just received his driver’s license. And his new car! I see our families in the background- in the background of the carousel? No, they are standing behind us and waving, we were going to do our first road trip! I see them in the background; they are waving and getting smaller and smaller! And there’s that train again, rolling on the country side, passing by. That noise- I will never forget it. My hair was blowing in the wind- just like the answer? Was it blowing in the wind, my friend? Did it know what was going to happen? We were just about to pass the train tracks with our car, and the light was turning red. We knew we would make it over in time- but I guess the wind knew better! The answer is blowing in the wind! My mother’s favorite song! There she is again pushing the carousel. She is in the middle, giving life and love to me. And now she has to watch how it is taken away from me? That is not right! That is not the correct circle of life! She has to die before me….And I have to give birth to a child before I die. Yes, we were so happy yesterday! He was the right one- we wanted to have children together. And now? Who interfered in my circle of life? The train! Again! Yes, it is the train! Technology has interfered in our natural circle of life. It is coming to an end! We thought we would make it but the train was faster! I hear the shrieking of its horn. We were almost over the tracks but the train interfered. It hit us! Oh shit, my head really hurts and what is that pain in my chest? Here I am, lying on the bed! Me and my thoughts! My life passing by like a carousel with beloved memories – waving goodbye to me! Listen, my heart is pumping- pumping for love, for my family, for the last time… <br /><br /> </span></div>
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<i><span style="font-family: Arial,Helvetica,sans-serif;">Tabea Maria Teichert</span></i></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-75837676710574982822015-04-22T14:08:00.000-07:002015-04-22T14:08:08.149-07:00minute 23<span style="font-family: Arial,Helvetica,sans-serif;"></span><span style="font-family: Arial,Helvetica,sans-serif;">An ear-pearcing sound. Painful. Like a swarm of hornets out to attack. I can almost feel them entering my head, my ear. This aggressive sound is framed by a rather dramatic sounding composition of tones in the beginning and the end. This one comes much closer to music as the piercing sound in between. It is almost a relieve when it returns to redeem the hurting noise, joining the last seconds of this minute. This music rises tension, a kind of expectation that something cruel is going to happen. I hear something marching or a machine producing a monotonous but rising sound. For a moment I feel as if I was watching a crime fiction. </span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"></span><br /><span style="font-family: Arial,Helvetica,sans-serif;">This minute is violent, aggressive, torturing. The images tell quite a different story though. I try to focus on them and their message. In order to do so, I have to turn off the sound several times. This piercing noise, which I refuse to call music, is to stressful. My heart beats faster and all I want to do is to cover my ears. It almost makes me angry. It is like pouring acid into someones eyes while the same is watching Beuys „chair and fat“. Why disturbing the one who wants to consume your art? There is a point in disturbing your audience in order to provoke some kind of emotion, but this is far beyond provocation. It is an act of violence. </span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><span style="font-family: Arial,Helvetica,sans-serif;">Without acustic distraction I am able to see repitition in the images. It begins with a new image: A wooden ferris wheel in front of a row of small buildings, a scenerie looking like an old western town. The wheel is turning, wooden baskets, most probably supposed to hold people, are tangling around. In the back of it, a church tower. </span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><span style="font-family: Arial,Helvetica,sans-serif;">The decay of the film material has an interesting effect in this piece. It covers the scene in a flickering way as if it was purposely hiding something, just like a black vail or a coat. Again tension arises. I get the sense of a secret surrounding the scenery.</span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><br /><span style="font-family: Arial,Helvetica,sans-serif;">A secret that remains covered. The next scene, much lighter, without any obvious blemishes, does not lead to any enlightment though. A scenery of warmth and roughness. I see a desert and some buildings, again a tower in the back. This might be the first subtile connection between the scenes. The other is much more obvious: A bearded man with a cap and a sash around his chest is turning in circles; The turning of the ferris wheel translated into human action. His eyes closed, he seems to be turning in trance, very fast, very iterant. His face expresses exhaustion. Next to him, two other man doing the same, but much slower. This I can tell despite the slow motion that the sequence is shown in. In the back are other man, some of them monotonously clap on drums, while others simply watch. </span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><br /><span style="font-family: Arial,Helvetica,sans-serif;">I can't tell how much longer he woul have turned his circles. A cut interrupts his trance. The last two seconds of this minute are devoted to complete darkness, a flickering image of decay. It looks like a fire place on the ground with all flickering flames meeting in the middle. Having a second, a third and a fourth look at these two seconds I can see hands working, meeting in the middle of the screen again. A person bends over.</span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><span style="font-family: Arial,Helvetica,sans-serif;">Both scenes, the ferris wheel and the man turning, obviously take part in different areas of this world, one in a desertly environment and the other in a town imaginable part of for the western world a few decades ago. Nevertheless both share the image of rotation. They do this in a fairly distinguishable manner. The first scene shows a ferris wheel turning in a city, no human can be seen. A black veil covers the image. It appears like a ghostly town. Ghosts and death are two things closely related. </span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><span style="font-family: Arial,Helvetica,sans-serif;">The second scene, in contrary, is full of life and energy, portraying a man turning in circles, seemingly bringing his body and mind into another sphere. </span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><span style="font-family: Arial,Helvetica,sans-serif;"> </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Within only 58 seconds and in a disturbing manner, this minute brings together death and life. Disturbing as the sounds escorting it rather draw to the first than the second. It is as if the turning man's destiny was to be foretold by the tension rising sounds accompanying not only the ghost town, but his appearance as well. </span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><br /><span style="font-family: Arial,Helvetica,sans-serif;"></span><br /><i><span style="font-family: Arial,Helvetica,sans-serif;">Marthe-Sophie Berkenheide </span></i></div>
IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.comtag:blogger.com,1999:blog-138382040386760441.post-6720467172764899022015-04-22T14:04:00.000-07:002015-04-22T14:04:17.899-07:00minute 24<span style="font-family: Arial,Helvetica,sans-serif;">How can the wonderful process of giving birth to a child be embedded in such sad and dreary setting? <br />Creating a whole new life is just so amazing! <br />But is it because of living in today's world one has to ask if it is irresponsible to give birth to a child.<br />Will my child have a good future or will it live in a world full of decay?<br />Does it even make sense to give birth to a child if the end of the world is soon to come?<br />Will she or he be successful? Maybe a model? Or a doctor?<br />Will the child be more like me or more like his or her father?<br />Do you have to ask yourself if you are ready to have a child?<br />What if it is a boy? I really want a girl!<br />What if I am not a good mother? <br />Do I really want to give up my job?<br />What if the child has to grow up without a father?<br />What is if I don't have enough money?<br />How should I raise my child?<br />Is it because one is afraid of the process of birth?<br />Will it hurt? <br />How long is it going to take?<br />Will my baby be healthy?<br />Aren't there too many risks?</span><br />
<span style="font-family: Arial,Helvetica,sans-serif;">These questions fit better into this scenery than the actual process of having a child and becoming a parent!<br />You can only experience the answers by doing! <br />It is not so much about questioning!<br />Think! <br />Just think about all of your wonderful childhood memories! <br />Think of how your parents raised you!<br />Think of the world you are living in right now- is it that bad?<br /> </span><br />
<span style="font-family: Arial,Helvetica,sans-serif;">But do you really think that your parents didn't have all of the questions and fears and negative thoughts? <br /> </span><br />
<span style="font-family: Arial,Helvetica,sans-serif;">Holding the new born in your arms let all your thoughts and fears dissolve.<br />The picture enlightens. <br /><br /><br /><i>Tabea Teichert </i><br /><br /></span>IEAShttp://www.blogger.com/profile/12594256477766572246noreply@blogger.com